The Torture Never Stops

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The Time Bullet’s 13-day countdown to Halloween concludes with a true crime story that makes the guy in Saw look like Bob The Builder! From Crime Does Not Pay #53 (Lev Gleason Publications, July 1947), here’s “The Master Of Murder Castle.”

The art is provided by Fred Guardineer, who obviously had a lot more up his sleeve than Zatara the Magician!

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Well … all’s well that ends well I guess. If you’d like to read this story and other equally demented true crime tales in higher fidelity, be sure to check out Dark Horse’s Blackjacked and Pistol-Whipped: The Best of Crime Does Not Pay!

In the meantime, return to the Time Bullet Nov. 2 for an All Soul’s Day special featuring the Duke Of Darkness! Happy Halloween!!

Lucifer Be A Lady Tonight

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It’s difficult these days to believe that a character as dark and unusual as Madam Satan debuted in the same title that introduced the world to Archie, but such seeming discrepancies are typical of that Wild, Wild West era better known as the Golden Age Of Comics.

Although she vied with Timely’s Black Widow for the title of Satan’s sexiest subordinate, the woman only known as “Tyra” didn’t enjoy that long a run in Pep Comics, six mere issues to be exact.

Those six stories presented a great opportunity for artist Harry Lucey to stretch his creative muscles, though. Each story, including the first presented below, featured a striking splash page that featured the Lord of Lies looking down upon the wretched Earth.

Pretty potent stuff, and this was years before Crime Does Not Pay or Tales From The Crypt.

As we all know, MLJ eventually chose to pursue a different direction with its publications. When the company – now known as Archie Comics, of course – chooses to revive its Golden Age characters Madam Satan is usually left behind.

But what better time to revive Tyra than the night before Halloween? From Pep Comics #16 (MLJ Comics, June 1941), here’s “The Origin Of Madam Satan.”

The story was written by Abner Sundell and drawn by Lucey, who later found greater acclaim with his Sam Hill crime feature and  - of course – a long run on Archie that influenced the likes of Jaime Hernandez.

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Scream Dream

Although Jamie Lee Curtis achieved screen immortality as America’s premier scream queen in John Carpenter’s classic Halloween, my favorite heroine of those classic ‘70s and ‘80s “slasher” flicks remains Heather Langenkamp, better known as Nancy Thompson from the original Nightmare On Elm Street series.

Curtis undeniably deserves her iconic status among horror fans, but for my money Langenkamp was more convincing as an “everygirl” pit against an unimaginable evil.

Perhaps it was the lack of a Hollywood pedigree (As the daughter of Hollywood legends Tony Curtis and Janet Leigh, Curtis seemed preordained for stardom) or the simple fact that Langenkamp looked like your average – if undeniably attractive – girl next door.

Most likely, it was Director Wes Craven’s intuitive sense to cast Langenkamp as a “final girl” who possessed more gumption than the usual Hollywood scream queen. In the first and third films, Nancy actively plots against the demonic Freddy Krueger and even strikes the killing blow – the second time at the cost of her own life.

“(Nancy) “had a great sense that she could solve problems without anybody’s help at all,” Langenkamp later told an interviewer. “I try to be like her, actually.”

The actress returned to the Nightmare franchise in Wes Craven’s New Nightmare, a clever, but sadly unsuccessful, reboot that saw the fictional Freddy try to invade the “real” world. The only person able to stop him is, of course, Langenkamp, who played a version of herself who was much like Nancy Thompson.

(To add even an even greater “meta” element, the film was reportedly based on Langenkamp’s real-life experience of being stalked by a fan.)

These days, Langenkamp largely works behind the screen as the co-owner of a special effects company. She has also directed a documentary on the legacy of Nightmare On Elm Street and is producing a second entitled I Am Nancy.

All in all, that sounds a lot better than selling yogurt on TV!

What’s Cthulhu With You?

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It just wouldn’t be Halloween if some enterprising comic-book publisher didn’t rip off pay homage to H.P. Lovecraft. The following tale is greatly enhanced by the efforts of one of the greatest Pre-Code horror artists, Rudy Palais.

“The Creeping Death” originally appeared in Chamber Of Chills #16 (Harvey Comics, March 1953).

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Mummy Dearest

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Captain Marvel, Junior and Mary face their greatest challenge – well, next to DC’s legal team – as The Time Bullet continues its pulse-pounding countdown to Oct. 31!

From The Marvel Family #79 (Fawcett Publications, January 1953), it’s “The Dynasty Of Horror!” The story was written by Otto Binder and drawn by C.C. Beck (pencils) and Pete Costanza (inks).

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The Hitchhiker

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The 13 Days Of Halloween continue with a chilling tale that wouldn’t have seemed out of place on Rod Serling’s fabled Twilight Zone. In fact, the series did air an episode with a somewhat similar premise eight years later!

From The Beyond #9 (Ace Periodicals, March 1952), here’s “The Other Side Of Death’s Door.” The story and art are uncredited.

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Crazy Apes

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Comic Media apparently wasn’t the most reputable of Golden Age publishers; most comic-book historians tend to focus on the company’s logo (a financial bar chart) than the contents of its titles. Still, any publisher that prominently featured the work of Don Heck and Pete Morisi couldn’t have been all bad.

Throw in a horror tale about a killer’s brain implanted within the body of an ape and … well … it’s clear that Comic Media was solely working for the betterment of the world.

From Weird Terror #10 (March, 1954), here’s “The Man-Ape.” The story was drawn by Don Heck.

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Sweet Revenge

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Journey Into Fear #15 (Superior Publishers Ltd., September 1953) was one of many Pre-Code horror titles that received the (dubious?) honor of appearing in Dr. Frederic Wertham’s Seduction Of The Innocent.

A quick scan of the issue makes it apparent why the good doctor took such umbrage: vengeful zombies, heartsick ghouls and hunger-crazed werewolves practically leap off the pages with malevolent glee.

My favorite tale in that particular comic, however, concerns a monster of a less supernatural bent. After all, who is capable of greater horror than a man filled with jealousy and hatred?

Here’s “Revenge So Evil.” The story and art are not credited, although the piece looks to be the product of the Iger Studio.

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