From Venus #15 (Atlas Comics, August 1951), here’s “The Day That Venus Vanished” by the great Bill Everett.
Don’t mess with Bill Everett’s Venus. She may be the goddess of beauty and love, but the lady also has some serious ‘tude!
After creating the iconic Sub-Mariner, the great Bill Everett devised yet another water-based hero for Eastern Color Printing, the company responsible for the first “modern” comic-book.
Unlike Prince Namor, however, Hydroman didn’t merely swim through water; he literally transformed into the stuff! (OK …. before I start hearing cracks about the Wonder Twins let me assure one and all that Everett possessed more than enough creative mojo to make such a power appear formidable.)
Although Everett didn’t stay with the character for all that long, Hydroman proved popular enough to last until 1945. The hero languished in limbo for quite some time thereafter, unless you count the fairly lame Spider-Man villain that goes by the same name.
Everett’s Hydroman was finally revived in Dynamite’s Project Superpowers series, but to be quite honest Time Bulleteers I’m not overly fond of Alex Ross’ grim ’n’ gritty revamp.
From the first three issues of Eastern’s Reg’lar Fellers Heroic Comics (1940), here’s the complete origin of one of comics’ more obscure – but no less enjoyable – Golden Age greats. The story and art are by Everett.
And, as always, be wary of the embarrassingly outdated racial stereotypes that lie ahead!
Although The Conquerer may not have been one of Bill Everett’s more famous creations, this rip-roaring adventure from Victory Comics’ inaugural issue aptly demonstrated that the character had what it took to be a major player.
(Except maybe sales figures, but that’s the comics biz for you.)
I’m especially struck by The Conquerer’s costume design – which seemed a bit more realistic than your usual super-hero union suit – and the mysterious femme fatale Varna Bari, who added the requisite touch of moral ambiguity present in many of Everett’s tales.
From Victory Comics #1 (Hillman Periodicals, 1941), here’s “The Coming Of The Conquerer” by Bill Everett.
If you enjoyed this story, be sure to check out Blake Bell’s forthcoming compilation of pre-WWII Everett stories, Amazing Mysteries: The Bill Everett Archives Vol. 1. Looks like the book design even features Everett’s ace cover art for Victory Comics #1!
Although Bill Everett had a well-known affinity for water-based crime-fighters (Sub-Mariner, Hydroman, The Fin), his ability to create compelling characters that eschewed traditional notions of heroism separated the writer-artist’s work from his contemporaries and established Everett as one of the great pioneers of the comics field.
Prince Namor, of course, is widely recognized as comic’s first true anti-hero. However, that same streak of rebelliousness can be found in much of Everett’s other work. From his hard-boiled interpretation of Atlas Comics’ Venus to the innumerable pre-Code horror classics created in conjunction with Stan Lee, Everett’s style never quite veered toward the center of the road.
A good example of this tendency can be found in one of Everett’s earliest creations, Amazing-Man.
As related in the character’s origin, John Aman was sent to Earth by the fabled “Council Of Seven” to use his skills and abilities for good. Unfortunately, a disgruntled member of the council – a cloaked mystery man known only as “The Great Question” – sought to control Aman and fulfill darker ambitions.
The surprise twist to the following story is that the villain actually succeeds in corrupting Aman. Even at this stage in the game – mere months after the debut of Superman – Everett demonstrated an interest in depicting heroes with discernible weaknesses. Later, of course, Stan Lee and Jack Kirby would utilize similar techniques to bring about the Marvel Age Of Comics.
Though his name isn’t often credited for such accomplishments, I believe Everett’s work helped pave the way for the Marvel revolution.
The following story, written and drawn by Everett, originally appeared in Amazing-Man Comics #6 (Centaur Publications, 1939).
